The Whiteboard
become a window farmer
Windowfarm is an idea by artists Britta Riley and Rebecca Bray in February, 2009.
Riley read the article by “Why Bother?” Michael Pollan in the New York Times Magazine in conjunction with Clay Shirky’s book Here Comes Everybody. She wanted to grow some of her own food but lived in a 5-story walk-up in Brooklyn. Rooftop growing was problematic, so harnessing the light in the window plus the year-round climate control of an apartment seemed promising. With limited space, dirt growing was not an option. So, the challenge was to make hydroponics vertical and optimized for the window space.
Here is what they created:
Since the public launch last year, the community of windowfarmers on our.windowfarms.org have contributed innovations from the perspective of end uses that helped evolve the Windowfarms designs. The community has grown to more than 13,000 members around the world. The project has been featured on NPR’s Weekend Edition, at the Whitney Museum of American Art, and in dozens of publications.
It a perfect gift option for our urban dweller friends. Its a gift that keeps on giving.
http://www.windowfarms.org/
fotoshop by adobé
From Dove’s Campaign for Real Beauty several year back, we are all more than familiar with the extent of photo-manipulation that can be done on posters, ads and other marketing materials.
So here’s a fun little spoof by Jesse Rosten:
fotanian open studios

Fotanian will be opening their gates during the Fotanian Open Studio weekends on January 7, 8, 14 and 15 from 14.00 to 20.00. For each of these weekends, all artists in this area are welcoming you in their studios. With over 80 studios and over 300 artists participating, Fotanian Open Studio has grown to an unprecedented scale. There will be guided tours, workshops, seminars and other special events. Check it out today!
little shining flying man
People in all generation love to fly and thus objects about getting elevated to the air has always been popular. Created by Heather Peak and Ivan Morsion, Little Shining Man is a sculpture that has the potential for flight. The design of the structure is based around the tetra kites of Alexander Graham Bell, multiplied out into colliding cubes that take their form from the cubic formations of the mineral Pyrite. A double wing module has been duplicated and arranged into a tight cellular structural arrangement that appears as a heavy, un-flyable mass. Utilising lightweight materials and the symmetry of the module and composition, it is able to fly freely and steadily. The kite flown in the images is one section of an arrangement of three, that come together to create the final piece of sculpture that is taken own from display once a year to be flown in St. Aubin’s Bay. More than 23,000 individual components make up the complete structure. Entirely assembled by hand; from design through to delivery more than 16 months of work.









